By Jason Mecchi
Being an English major sometimes really does mean everything people associate with it: reading Shakespeare, talking about symbolism and metaphors, and thinking about historical context (usually British or American history). Some people may love this part of the major, and others may not, but it’s just one part of the English experience and, more broadly, the skills learned in English classes. In fact, plenty of English classes provide opportunities to write about movies, TV shows, music videos, and comics, among other media. In my undergrad experience, I have written about all of these media, mostly in English classes, all of which required the close reading and analysis I have been practicing since Intro to Literature my freshman year.
Opening up my writing beyond the “usual” literary canon and even literature altogether has been a rewarding and, perhaps more importantly, fun experience. Practically every chance I get to write about something “unusual” in an English class, I do. In fact, I wrote my thesis on Freud’s theory of the uncanny in children’s films like Coraline and Kubo and the Two Strings, and I completed an Honors project about Lacan’s theory of the mirror stage as seen in several films, ranging from Fight Club and Toy Story. Applying literary analysis skills to such a broad array of works has allowed me to strengthen those skills, diversifying the ways in which I use them. I would even say that English majors should engage in this kind of analysis to diversify their skillset, so they don’t get stuck in thinking only about literature.
Connecting with texts beyond typical English literature is also a challenging experience, since so much close reading done in English classes is focused on the written word. By looking at other media with new dimensions, such as visuals, audio, and performance, a student can discover new ways to close read and new facets to explore when looking at any piece of media. When looking at films, for instance, most English majors might look at the narrative and characters to discover themes or deeper significance. However, the more you practice watching and close-reading films, the more significance you’ll find in camera angles, editing techniques, and performance choices. While taking on such a new challenge in the midst of everyday collegiate chaos may seem daunting, it can sometimes be as simple as seeing what techniques from class you can apply to the scene from Mean Girls you watched while taking a break from your Hamlet essay.
This also brings us to another reason why writing about film (and television and music and comics . . .) in English classes can be important. By writing about these newer, more “popular” media, students actively chip away at those pesky lines between so-called “high” and “low” art, while also demystifying English academic techniques and theory, like close reading, to make them more accessible. Writing about stereotypes in Scary Movie 3, for instance, helped me push away any notions of “low art” and the unworthiness of certain texts to be analyzed critically. That particular essay was for a film class, not an English class, but the point still stands that critically looking at texts typically considered “low art” can be useful and makes analyzing complex texts easier. The idea of close reading may seem over-analytical to some (see the jokes about English teachers discussing the colors of curtains and doors), especially when the texts it is applied to are not texts that students are used to. When looking at something as apparently innocuous as Scary Movie 3 or Toy Story, close reading becomes a more approachable experience.
So, I hope that whoever is reading this, be you a prospective or current English student, an English alum, or someone from an entirely different field, you take away a willingness to approach any and all texts in a new way. Limiting English and humanities studies to just classic literature is boring, yes, but it can also limit you and the field as a whole. By approaching any film, TV show, song, etc. with critical thinking in mind, the possibilities of an English degree (or any humanities degree) open up—and become a lot more fun!